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      <image:caption>© Eva Herzog</image:caption>
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      <video:description>©Lee Pretious Studio</video:description>
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    <loc>https://oudabaya.com/asbar</loc>
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      <image:title>ASBAR</image:title>
      <image:caption>Atrium (Entrance and Incense Burner) Visitors enter directly into the atrium, an open hexagonal space at the centre of the house. At its centre sits the incense burner, activated throughout the evenings. Fitted with abaya fabric that functions as a smoke membrane, it releases smoke vertically into the space, establishing an immediate atmospheric condition upon entry. The embroidered pattern of agarwood chips across the fabric reads as a downward movement, resembling rain as it falls across the surface. Above, a moon is positioned within the upper opening of the atrium, aligning the work along a vertical axis from ground to sky. To the right of the burner, the oud trunk is positioned. To the left, the oud oil fountain appears as a corresponding form.</image:caption>
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      <image:title>ASBAR</image:title>
      <image:caption>Blast Abaya A monumental abaya positioned as a central body within the Oud Casino space.</image:caption>
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      <image:title>ASBAR</image:title>
      <image:caption>Right Room: IV Hospital A hospital-like environment in which the Oud Abaya is positioned within a state of care. The space is not entered and is observed from the outside. The Oud Abaya is cared for by a nurse, reinforcing a condition of maintenance and suspended recovery. This marks a second stage in the life of the work. Following its public appearance at 5/6 Park in Doha, the Oud Abaya moves from an open public setting into a contained domestic environment where care is administered in isolation. Curtains surrounding the installation carry a printed image of the IV island.</image:caption>
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      <image:caption>A monumental abaya (Back)</image:caption>
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      <image:caption>Threshold Room (Communal Transition) To the left of the atrium, a large threshold space mediates entry into the casino. A sofa introduces a communal condition, distinct from the seating within the casino. A fountain circulates oud oil, producing a continuous sound that recalls the historical use of water features as acoustic devices. The sound operates as a veil, partially masking the casino while creating a space for pause and contemplation.</image:caption>
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      <image:caption>Arabic Roulette Table. The same number sequence and table divisions are preserved. The numbers are rendered in Arabic script, and the layout reconstructed within an Arabic spatial framework. The wheel is replaced by a central geometric motif. The casino logic remains intact. Intentionally unplayable. Marble.</image:caption>
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      <image:title>ASBAR</image:title>
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      <image:title>ASBAR</image:title>
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      <image:caption>Casino Room A zone structured around the Oud Casino, where value is staged through a system that cannot be played.</image:caption>
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      <image:title>ASBAR</image:title>
      <image:caption>The Oud Abaya held within a condition of care, observed rather than entered and sustained through routine.</image:caption>
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      <image:title>ASBAR</image:title>
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      <image:title>ASBAR</image:title>
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      <image:title>ASBAR</image:title>
      <image:caption>An incense burner structure fitted with abaya fabric draped across its surface, forming a membrane through which smoke is filtered and released. Positioned at the main entrance within the atrium, the work activates the central volume of the house, where smoke disperses through the space upon arrival. The structure also holds the capacity to function as a tent when not in use for burning. Within the exhibition, this function remains inactive and the form is kept closed. In an outdoor context, it can be activated as a tent.</image:caption>
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      <image:title>ASBAR</image:title>
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      <image:title>ASBAR</image:title>
      <image:caption>Rear Rooms IV Projection Room A separate room presents the IV island as projection.</image:caption>
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      <image:title>ASBAR</image:title>
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      <image:title>ASBAR</image:title>
      <image:caption>Uniform Room and Stairwell A room where uniforms are held and assumed, functioning as a preparatory space. Red umbrellas are present as elements of protection, associated with feminine forms of safeguarding and boundary.</image:caption>
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      <image:title>ASBAR</image:title>
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      <image:title>ASBAR</image:title>
      <image:caption>Dark Corridor A darker space accessed using a flashlight, positioned to the left of the incense burner and leading toward the roof, operating as a transitional zone.</image:caption>
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    <lastmod>2026-03-17</lastmod>
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      <image:title>Work - GROWTH SHAYLA</image:title>
      <image:caption>Growth Shayla, 2024 Embroidery on polyester, crepe, silk 330cm x 80cm</image:caption>
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      <image:caption>Growth Shayla, Site-Specific Tree Installation, 2024 Acrylic Metallic Print 62.8 x 50 cm</image:caption>
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      <image:title>Work - TRAFFICKED</image:title>
      <image:caption>The Long Shadow, Photograph, 2024</image:caption>
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      <image:caption>Years of Stolen Youth, Photograph, 2024</image:caption>
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      <image:caption>Trafficked Graffiti, 2024</image:caption>
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