ASBAR / أصبر (2026)
A site-responsive installation staged within an abandoned Neo-Islamic villa in Al Wakrah, Qatar.

Developed within a domestic structure left incomplete and uninhabited, the work engages themes of endurance, suspension, and the instability of value across material, architecture, and garment.

Her practice operates across installation, garment, and spatial intervention.

Working with agarwood (oud), textiles, and scent, she constructs environments where value is embedded, extracted, and reconfigured. The abaya is approached not as clothing, but as a structural and symbolic form expanded, suspended, and repositioned within space.

Materials are treated as active: stitched on, embroidered, whole, fragmented, and circulated, reflecting on memory, labour, and transformation.

Value is materialised rather than represented seen as currency, residue, weapon, and artefact.